All Samuel John Peploe Oil Paintings

Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.
 

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Samuel John Peploe The Lobster oil on canvas


The Lobster
The Lobster
Painting ID::  39326
  mk147 c.1903 Oil on canvas 40.7x50.8cm
  mk147 c.1903 Oil on canvas 40.7x50.8cm

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Samuel John Peploe Roses in a Blue and White Vase,Black Background oil on canvas


Roses in a Blue and White Vase,Black Background
Roses in a Blue and White Vase,Black Background
Painting ID::  39327
  mk147 c.1904 Oil on canvas 40.6x45.5cm
  mk147 c.1904 Oil on canvas 40.6x45.5cm

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Samuel John Peploe The Black Bottle oil on canvas


The Black Bottle
The Black Bottle
Painting ID::  39328
  mk147 c.1905 Oil on canvas 50.8x76.2cm
  mk147 c.1905 Oil on canvas 50.8x76.2cm

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Samuel John Peploe Still Life with Coffee Pot oil on canvas


Still Life with Coffee Pot
Still Life with Coffee Pot
Painting ID::  39329
  mk147 c.1905 Oil on canvas 61x82.5cm
  mk147 c.1905 Oil on canvas 61x82.5cm

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Samuel John Peploe Girl in White oil on canvas


Girl in White
Girl in White
Painting ID::  39330
  mk147 1907 Oil on canvas 84.5x61.5cm
  mk147 1907 Oil on canvas 84.5x61.5cm

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     Samuel John Peploe
     Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.

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